With the plinth’s original intention to honour the passing of Queen Victoria, the absence of her statue opens up broader considerations of whom and what we commemorate. The locker is a familiar utilitarian form―symbolic of the many industries and institutions it serves―schools, TAFES, universities and workplaces.

The balance of what remains and what is removed is where the tension exists in this newly commissioned work, Middle row. Rowlands has severed a large section from the core of its structure, it balances like a partially logged tree, and the anticipation of the fall brings greater awareness to the potential of loss. It is here that we consider the notion of memorial; is this locker resting uncomfortably with the potential to collapse, or is it holding resilient?

Middle Row was exhibited from 23 November - 03 September, 2019 as part of the Edinburgh Gardens plinth program.

Robbie Rowlands is represented by blackartprojects, Melbourne.